Sound

Overtime

The sound applied to this short film is the result of a practical assignment in which the phases of post sound were explored in succession, including:

• Importing an AAF into Pro Tools

• Auditioning production recordings and editing dialogue onto the timeline

• Sound effects editing, including sourcing of sounds via libraries

• Sourcing and editing of music

• Recording and editing of foley

• Recording and editing of ADR for the character of Sean

• Configuring a routing template to facilitate isolated dialogue, music and effects stems 

• Sound mixing, incorporating compressors and limiters